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GRAVIS ULTRASOUND ("GUS") FAQ VERSION 1.50 [94/01/12] ---------------------------------------------------------------------- Certain questions concerning the Gravis UltraSound ("GUS") sound card are asked over and over on the UltraSound Daily Digest (a mailing list for GUS users) and on comp.sys.ibm.pc.soundcard. In an attempt to alleviate some redundancy from the lives of USENET/Internet folk, this FAQ (Frequently Asked Questions, with answers) list has been created. It is maintained by Matthew Bernold (MEB117@PSUVM.PSU.EDU) If you have any questions, comments, complaints, or extra cash, (especially the cash) please feel free to send them to him. Please do not send your question more than once, as Matthew does have other things to do aside from answering FAQ mail. If you do not get an answer after a month or so, then there may be a mail problem. :-) If you would like to join the mailing list and be privy to the latest and greatest information, banter, and poor spelling concerning the GUS, mail to <ultrasound-request@dsd.es.com>. The automated server will tell you how to sign up for the mailing list, tell you where the FTP sites associated with the Digest are (they recieve software updates directly from Gravis often), and other such information that will eventually lead you down the trail to Nirvana, Valhalla, Heaven, or whatever Land O' Happiness your religion wants to get to. BTW: All FAQs, including this one, are available on the archive site rtfm.mit.edu in the directory pub/usenet/news.answers. The name under which a FAQ is archived appears in the "Archive-Name:" line at the top of the article. This FAQ is archived as PCsoundcards/gravis-ultrasound/faq. Special thanks are due to many people who helped (and are helping) with this FAQ. I won't try to name off people; I'll probably forget half of you, and you all know who you are, anyway. ---------------------------------------------------------------------- BIG IMPORTANT NOTE: Neither this FAQ, the mailing lists or digests, nor the FTP sites are owned or operated by Gravis. Gravis employees *read* the digest and mailing lists and they upload things to the FTP sites, but that's it. SO: Please don't email me about problems with your card, if the latest release of software hasn't arrived on disks in the mail yet, lack of documentation, etc., etc. I'm doing this on my own time, and I have no desire to receive hate mail intended for Gravis. ---------------------------------------------------------------------- Index of Questions ------------------ 1] What is the GUS? 2] How does the GUS emulate other soundcards? 3] Where can I get a GUS, and how much will it cost? 4] What version of the GUS hardware is the latest? 5] What GUS software is available? What version is it? 6] Where can I get the latest GUS software? (AKA: Where is the GUS FTP site and/or Gravis BBS?) 6a] What if I don't have FTP access? 7] What machines will the GUS work with? 7a] I've heard about problems with the OPTi chipset... 8] Why should I upgrade the memory onboard my GUS? 9] Where can I get memory for the GUS, and how much will it cost? 10] I'm having trouble getting the GUS to work with Windows... 11] What new hardware is coming out for the GUS? 12] How do I build the MIDI interface for the GUS? 13] What exactly is GUS 3D? 14] What are *.PAT *.VOC *.WAV *.SND *.MOD *.669, and *.MID files, and how do I use them? 15] What exactly is Wavetable Synthesis? 16] Is there a GUS device driver for Linux/BSD386/*IX? 17] How do I get the GUS to work with OS/2? 18] How do I go about programming the GUS? 19] What are the pinouts for the CD Audio IN on the GUS? 20] I'm having trouble with... GENERAL TROUBLESHOOTING TIPS 21] I can't seem to fit the new disks onto a floppy. 22] Why shouldn't I use the comp.sys.ibm.pc.soundcard.GUS newgroup? 23] What are "Miles Drivers", and how do I use them? ---------------------------------------------------------------------- 1] What is the GUS? The Gravis UltraSound (generall referred to as the "GUS") is a sound card built by Advanced Gravis Technologies (GRVSF on the Nasdaq exchange). It is a stereo card that can play 32 synthesized voices and 32 sampled voices simultaneously. It is also MIDI compatible. The synthesizer on the GUS is based on a technology called Wavetable Synthesis (WS) instead of FM synthesis (like the Adlib and Soundblaster series). WS is flexible enough to emulate FM synthesis, and so an emulator has been created so SoundBlaster and Adlib programs can use the GUS (see question #2). The GUS, in its basic state, can sample 8 bit stereo at 44kHz. It can playback 16 bit stereo samples at 44kHz. There is a daughterboard that you can buy (to be released) and plug on to the GUS that makes it possible to sample at 16 bit stereo 44kHz. Each voice can play independantly, but as the maximum number of voices goes up, the sample playback rate drops. With 14 active voices, the GUS can playback at 44100Hz. At 28 active voices, the playback rate drops to 22050Hz. With the maximum 32 voices, the GUS can playback at a rate of 19293Hz. Following is a chart taken from the GUS SDK v2.01 listing the number of active voices and the playback rate. Active Playback Active Playback Active Playback voices rate voices rate voices rate 14 44100 21 29400 27 22866 15 41160 22 28063 28 22050 16 38587 23 26843 29 21289 17 36317 24 25725 30 20580 18 34300 25 24696 31 19916 19 32494 26 23746 32 19293 20 30870 If you tell the GUS to play at a different rate than listed above, the GF1 processor automatically interpolates the sample, and simulates playback at the desired rate. Each voice also has 15 panning positions, and 4096 settings of volume. The GUS has automated volume-ramping that can be used as one-shot or oscillating volume modulators. Thus, amplitude envelopes use very little CPU horsepower. For more technical information, read the GUS SDK (see question #24). The GUS has the following "external" ports: o Stereo line in o Stereo line out o Stereo amplified out o Stereo microphone in o Game port / MIDI port The GUS has several "internal" ports, including: o CD Audio IN o Expansion ports for daughtercards (see question #15). o Other as of yet unexplained pins/ports. The game port can be changed to MIDI in/out/through ports by means of an adapter available from Gravis. Alternatively (and for a LOT less money) you can build your own (see question #17). ---------------------------------------------------------------------- 2] How does the GUS emulate other soundcards? Right now, there are several ways the GUS may emulate other soundcards/soundcard combinations. Following is a list of combinations that the GUS may emulate, and the program to be used for this emulation: Sound Blaster/Adlib SBOS Roland/SB Digital MegaEm General MIDI/SB Digital MegaEm (* Insert info about lists here *) ---------------------------------------------------------------------- 3] Where can I get a GUS, and how much will it cost? The "suggested retail" for the card is $200 (U.S. dollars), but if you pay that much, you haven't done your homework. However, homework on this card isn't easy because Gravis still hasn't actually advertised (they have a weird policy concerning advertising). Here are some mail order places that supposedly carry the GUS. Since prices tend to change faster than FAQs, I am not posting prices. For our non-american users, there are some FAX or non-800 numbers as well. Vendor 800 Number FAX Voice Zeroes & Ones 1-800-788-2193 1-702-897-1571 Disk-Count Software 1-800-448-6658 1-908-396-8881 1-908-396-8880 Mission Control 1-800-999-7995 1-201-677-9484 1-201-677-1400 Bit Wit Software 1-800-259-2453 1-214-306-9603 1-214-539-5473 Viking Software 1-800-852-6187 1-404-840-7925 Chips & Bits 1-800-753-4263 1-802-767-3382 1-802-767-3033 Computer Express 1-800-228-7449 1-508-443-5645 If you call around, you should have no trouble getting the GUS for less than $150. Suggested places are Babbages, Bizmart, OfficeMax, and Disk-Count software. ---------------------------------------------------------------------- 4] What version of the GUS hardware is the latest? This is a question that is actually pretty irrelevant. Yes, there have been different "releases" of the GUS card (the number is etched into the board), but there really aren't any differences. Evidently, some of the newer cards have been redesigned to require less hardware (and less cost to Gravis), but no functionality changes have been made. Also, the newest versions of the GUS (v3.4+) have volume control on some of the inputs, and adds an on/off and volume control on the CD input. The new windows mixer takes advantage of this. If you have an older GUS, the mixer just grays out the volume sliders. ---------------------------------------------------------------------- 5] What version of the GUS software is the latest? Title Ver Filename Where? --------- ----- --------- ------- Install 2.06L GUS FTP 2.06 Mailed SBOS 3.4 GUS FTP MegaEm 2.02 GUS FTP ---------------------------------------------------------------------- 6] Where can I get the latest GUS software? (AKA: Where is the GUS FTP site and/or Gravis BBS?) GUS FTP sites: archive.epas.utoronto.ca /pub/pc/ultrasound wuarchive.wustl.edu /systems/ibmpc/ultrasound archive.orst.edu /pub/packages/gravis theoris.rz.uni-konstanz.de /pub/sound/gus nctuccca.edu.tw /PC/ultrasound GUS Mailserver: mail-server@nike.rz.uni-konstanz.de BTW: You can get a LOT more than just GUS software releases from Gravis on the FTP sites. There's lots of PD software written specifically for the GUS, music (midi music, midi patches, mods, 669 music, samples, etc., etc), tech info on the card, back issues of the UltraSound Daily Digest, etc., etc... check it out! Gravis BBS: (604) 431-5927 6a] What if I don't have FTP access? Use the GUS Mailserver! Send mail to mail-server@nike.rz.uni-konstanz.de with the body of the message as follows: begin send help end Alternatively, you can call the Gravis BBS. There are several major disadvantages with this, though: 1] Long distance to Canada (no offense to you Canadians :). 2] 2400 baud. 3] The BBS doesn't have all the public domain stuff that the FTP sites do. 4] It's almost *always* busy. Please *DO NOT* ask people to post binaries to comp.sys.ibm.pc.soundcard. It's not a binary newsgroup, and that's a lot of wasted bandwidth to people who don't want the programs. Use email. It saves bandwidth, fights cavities, and builds character. ---------------------------------------------------------------------- 7] What machines will the GUS work with? You need an IBM compatible computer with at least a 286 processor. It needs to be at least a 386 if you want to use the GUS with Windows. 7a] I've heard about problems with the OPTi chipset... There have been troubles with the GUS if your computer's chipset is made by OPTI. Not all OPTI chipsets are bad, but some of them have a faulty DMA controller. We're still trying to pin down which chipsets are flawed; when we have a better idea of exactly which ones are bad they'll be added here. Until then, be careful if your computer has an OPTI set, and try reading the UltraSound Daily Digest, or comp.sys.ibm.pc.soundcard on USENET. Written by: dantonio@magick.tay2.dec.com Actually, it's not just OPTi chipsets, UMC has been implicated as well (Gravis first noticed the problem with UMC chipsets) and according to Digital Audio Labs (who told Gravis what was going on), the bad datacode is 9149 and the bad chip is the 82C206. This is all explained in the docs for GUS0013.ZIP (I think), the OPTi fix posted to the GUS FTP sites. ---------------------------------------------------------------------- 8] Why should I upgrade the memory onboard my GUS? For starters, the announcement has already come out of Gravis that the standard GUS will come with 512k instead of 256k. This means that software companies will write their programs to use *at least* 512k onboard the GUS. And with all the users going to 1meg, chances are that things will be written for that limit. It's a cheap upgrade. If your board came with 256k, it will only cost you about $30 to go up to 1meg (see question #10). There's already a lot of MIDI files out there that require the full 1meg to play them, because they use lots of different instrument patches. If you plan on doing any sampling, you'll need the space. You can do direct-to-disk sampling, but it can cause "skips" to go into the sample each time the sample goes down the bus to the drive. In a worst case situation, you could be sampling 16 bits in stereo at 44kHz. So, you're doing 88000 samples (stereo, remember) of 16 bits each every second. That's 171k (176000 bytes) every second, which means the full 1meg memory will fill up in 5 seconds at that rate. With only 256k, you can get about 1.5 seconds. Of course, only people doing very serious stuff with the card need to sample at that high of a rate in 16 bits. MOD files generally do 16kHz 8 bit mono samples. But upgrading the card is still pretty important in that case... do the math, and you'll see. ---------------------------------------------------------------------- 9] Where can I get memory for the GUS, and how much will it cost? You need six 256x4 DRAM chips, with speeds of 80ns or better (in other words, 80ns OR LESS). They tend to run about $4 a piece, so the total price will be $24 + shipping. Make sure you ask for "page mode" ram, or they will not work correctly with your GUS. To find a place with them, just look through the Computer Shopper magazine. Check the index for 'memory' and call a few places for prices. (After a little calling, I found a place selling them for $3.45 apiece.) To ensure compatibility, look for the number "44256" in the chip number. If you do not see this number, you probably do not have the right chip. NEW NOTE: Gravis is now offering to sell the chips directly to you for a much lower cost (they can buy in bulk). Give them a call for latest chip prices. ---------------------------------------------------------------------- 10] I'm having trouble getting the GUS to work with Windows... There in one possibility that accounts for about 50% of the problems people have with the GUS and Windows: you can't have SBOS loaded before going to Windows. (You don't need it... if the Windows program was written right, Windows will handle the link to the card; the program shouldn't care.) Try running ULTRINIT (it clears the GUS' program memory), or rebooting. Other problems: (a) No sound at all in Windows... Written by: dantonio@magick.tay2.dec.com People often put ultrasnd.ini into \windows\system which they shouldn't. They SHOULD put \ultrasnd\windows\midimap.cfg into \windows\system to get the MIDI stuff setup correctly. (b) I'm not getting any sound when I play MIDI files under Windows. The Patch Manager shows empty boxes. Written by: bs@mda.ca (Bruce Sharpe) You need a file called ULTRASND.INI. You can find this file in any one of the following places: 1. The v2.06 distribution disk set. 2. One of the GUS FTP sites. 3. The Gravis BBS. 4. CompuServe: GO PCVENB, Library 14, name is ULTSND.INI (rename it to ULTRASND.INI after downloading). ULTRASND.INI must be placed in the directory pointed to by the environment variable ULTRADIR (usually C:\ULTRASND). It does *not* go into the WINDOWS or WINDOWS\SYSTEM directory. Even if you have an ULTRASND.INI in your ULTRADIR directory, look at it. It should have many lines in it saying things like "0=acpiano". If it is only a few lines long, get another copy and put it into the ULTRADIR directory. Reboot Windows and you will soon be hearing beautiful music! (The purpose of the ULTRASND.INI file is to let the Windows driver know what patch file goes with what patch number. If the driver doesn't find the .INI file in the ULTRADIR directory it creates a truncated version with no patch names in it.) (c) All the list boxes are blacked out in the UltraSound Patch Manager. Written by: bs@mda.ca (Bruce Sharpe) This was a problem that was fixed in v1.02. It only occurs in certain Windows color schemes (e.g., Ocean). If you can't get your hands on a more recent PatchManager, then change your color scheme. (d) Other general Windows/GUS problems. Written by: john.smith@gravis.com (John Smith) At least one major problem people have been having with the new release has been solved. Many thanks to Fransisco Perez. He noticed that he had a grvsultr.386 file in his \windows directory and it was NOT the new one. Apparently, windows looks in the path and uses the first one that it finds. It should have gotten the one in the windows\system directory. Using the old one with the new patches etc. causes SERIOUS problems. The old install software required the user to copy some things manually and some people put the files in the windows directory instead of the windows\system directory. The new install will install windows automatically and puts the files in the windows\system directory. To correct the problem, make sure the following files are in your windows\system and ultrasnd\windows directory ONLY!!! If you find them anywhere else, you should remove them.... ...\windows\system\ grvsultr.386 < midimap.cfg < These files are also located ultmport.drv < in the UltraSnd\Windows ultrasnd.drv < ...\ultrasnd\ ultrasnd.ini ...\ultrasnd\windows\ ultrasnd.ini oemsetup.inf mixer.exe patchmgr.exe patchmgr.hlp ultrahlp.hlp Some of you have been trying to re-run the automatic Windows install simply by running WINGUS from your UltraSound\Windows directory. The problem with this is WINGUS is looking for an install script file that has an extension of .INF. The first file it encounters is OEMSETUP.INF, which it trys to execute but because this is NOT a script file you will get MANY error messages. Try renaming OEMSETUP.INF to OEM.TMP then run WINGUS. WINGUS will then see WIN.INF and load that instead. ---------------------------------------------------------------------- 11] What new hardware is coming out for the GUS? Ed. Note: I know this list is out of date, but I don't have anything better/more up to date, so I'm leaving it. If you have some more recent info, let me know, and I'll put it in here. Written by: Bruce Sharpe (bs@mda.ca) ------------------------------------------------------------------- | Advanced Gravis Product Support BBS Pricing & Availability | ------------------------------------------------------------------- | Item When? SRP($US) | ------------------------------------------------------------------- | MIDI Connector Box | Apr '93 | $49.95 | | 16-bit Stereo Recording Interface Card | Apr '93 | $149.95 | | LMSI CD-ROM Daughter Card for CM205 and | Qtr 1 '93 | $59.95 | | and CM215 (Phillips, Magnavox, LMSI) | | | | Sony CD-ROM Daughter Card for Sony 31A | Qtr 1 '93 | $49.95 | | Mitsumi CD-ROM Daughter Card | Qtr 1 '93 | $49.95 | | SCSI CD-ROM Daughter Card | Qtr 1 '93 | TBA | ------------------------------------------------------------------- Details? Good question. ---------------------------------------------------------------------- 12] How do I build the MIDI interface for the GUS? Written by: pcunnell@micrognosis.co.uk (Paul Cunnell) > Has anyone made the midi interface for the GUS that is in the FAQ? > If so, were did you find the part# 6N138? I cant seem to locate > this anywhere. Also, (excuse my ingorance i'm not an EE) but > what exactly is that part and its purpose? Thanks... The 6N138 is a high sensitivity opto-isolator, manufactured by Hewlett Packard (and I believe, a company called Quality Technology) The main point in using this part as opposed to other more common opto-isolators is the low LED ON current spec. (1.6mA) A midi out circuit is basically a LED in series with 600 ohms, and a 5V supply. Taking into account the 1.7V forward drop across the LED, you get about 5mA in the on state. Other optos generally need more current to turn them on (say 15-60mA, but this varies a lot). A 'high speed' 6N137 opto will also work, I believe, but that would be a bit marginal on the input current (spec. is min 5mA). Since a number of people have been asking, I'll add below the midi circuit that I'm using, plus a bit of general explanation I've culled from other peoples' postings on the subject. Generic Midi Out/In/Through Circuit =================================== The following shows a typical OUT, cable, and IN circuit MIDI OUT port ---->|<- cable ->|<---- MIDI IN port +5V 270 | +5V DIN DIN +--\/\/\/-+ | 220 +-+ +-------+ +-+ 220 +--------+ | |\ +-\/\/\/--|4|-|-------|-|4|--\/\/\/--| OPTO |-+-+- UART RXD UART | \ | | | | | | |ISOLATOR| | TXD ---| \---\/\/\/--|5|-|-------|-|5|----------| |-+ | | / 220 | | +-------+ | | +--------+ | | | / +--|2|-+ +-|2| 6N138 GND| |/ 7407 | +-+ +-+ | GND | | +-------------------------------------------+ | | +5V DIN | | 220 +-+ | |\ +-\/\/\/--|4| | | \ | | +--| \---\/\/\/--|5| MIDI THRU | / 220 | | | / +--|2| |/ 7407 | +-+ GND Note that when the UART TXD is high, no current flows through the resistors and optoisolator's LED, causing the optoisolator's phototransistor to remain off, allowing the UART RXD to be pulled high by the 270 ohm resistor. When the UART TXD is low, current flows through the resistors and optoisolator's LED, turning on optoisolator's phototransistor, grounding the UART RXD. The voltage drop across the optoisolator's LED is typically 1.5 volts, leaving 3.5 volts to be dropped across (3 times 220) 660 ohms, which allows about 5 ma to flow. The reason a current loop is used is that it allows an ground isolated interconnection. Note that the ground from the MIDI OUT port's device is not connected to the ground of the MIDI IN port's device. This prevents ground loops in systems where appropriate attention has not been paid to grounding issues, such as the case of typical musicians in a typical club! Gravis Ultrasound Circuit ========================= 15 pin D connector 220R pin-1 +5v ----+--------------------------/\/\/\---------------\ | \ 4 | Gnd--2 MIDI OUT | |\ |\ 220R / 5 pin-12 tr >---|------| o-----| o----------/\/\/\--------------/ | 13|/ 12 11|/ 10 | 220R +---------------------------/\/\/\-------------\ | \ 4 pin-15 rx <---|--------------------+ Gnd--2 MIDI THRU | |\ |\ | 220R / 5 | +--| o-----| o---+-------/\/\/\------------/ | | 1|/ 2 3|/ 4 | | | +------+ | 270R | 220R +--/\/\/\--+ +------+----------/\/\/\--------\ |B |C |A | \ 4 +-|----------|----|-+ | MIDI IN | 8 6 2 | ----- / 5 | | / \ IN914 or IN4148 +-/ | 6N138 | --- | | | | | | 5 3 | | | +------------|----|-+ | | | |K | | pin-5 Gnd --------------+ +------+----------------------+ Inverters are 74LS04. (This is a 14-pin IC containing 6 inverters. Connect pin 14 to +5V, pin 7 to GND) Leave pin 2 of the MIDI IN unconnected (Don't connect to ground). Some hints for testing your circuit =================================== 1] Check *all* connections (use a continuity tester, and tick them off on a printout of the circuit). 2] Check them again ;-) 3] Make sure you have the latest (GUS0012.zip) windows midi driver, and make sure it is installed properly. 4] Make sure your midi sequencer package is set up to use the Ultrasound Midi In/Out ports. (As opposed to the Ultrasound Synth) 5] If you still have no joy, a] Just connect the +5V and GND to your midi circuit, (leave the d-connector pins 12 and 15 unconnected), and then connect pin 13 of the 7404 to +5V check you have (about) +5V appearing on pin 10. This checks midi out. b] Connect pin 4 of the midi-in DIN socket via 2 extra 220R resistors to +5V. Check pin 4 of the 7404. It should be low (about 0V). Then connect pin 4 of the midi-in DIN socket to 0V. Pin 4 of the 7404 should go high. This checks midi in. c] Reconnect the d-type pins 12 and 15, and connect a midi cable between midi-out on the circuit and and midi-in on your synth. Set up your sequencer to use the Ultrasound MIDI port as an output, and ensure that one of the tracks is set to use this port. Check your synth is expecting MIDI data on the same channel as sequencer is transmitting. Start sequencer playing. Check that midi data is being transmitted at pin 12 of the d-type (look at it with an oscilloscope, if possible). Note ==== Standard disclaimers apply - use this information at your own risk, and if your fry your card/PC/synth/toaster, then you have my sympathy, but not much else ;-) If you're not happy about messing with circuits and soldering irons and wires and stuff, then you may wish to wait for the midi connector box from Gravis to become available. I notice that in the older FAQs, there is a description (from Dustin Caldwell <DUSTIN@gse.utah.edu>) of the solder side pinout for a 15-pin D-type connector. This looks wrong to me. I have a 15-pin male d-type in from of me, and it looks like this from the solder side (i.e. the side you attach the wires to, rather than the side with the pins that plugs into the card): Gnd +5V 8 7 6 5 4 3 2 1 +-----/-------------------------------\-----+ | \ o o o o o o o o / | | ( ) \ / ( ) | | \ o o o o o o o / | +--------\-------------------------/--------+ 15 14 13 12 11 10 9 Rx Tx It is easy to get the pins confused on these connectors - the female version seen from the solder side of course has everything the other way around (pin 1 is on the left hand side). Hope this helps (or at least doesn't add to the confusion :-). All reasonable quality D-type connectors have pin numbers marked against the pins anyway. ---------------------------------------------------------------------- 13] What exactly is GUS 3D? First and foremost: YES, this is SOFTWARE. You will NOT need to upgrade your GUS to be able to do the GUS-3D stuff. Written By: dionf@ERE.UMontreal.CA (Francois Dion) There are several systems that are in use to get 3D sounds on recordings and some have been around since the 50s. Now i wont go into the "how it works" of the more recent ones, but i think this will clear up some confusion. The first part is a "hands-on" experiment, the second is informations, including the address and phone of the owner of the technology that is used with the Gravis Ultrasound. Let's get back to the early days of stereo. One record company (i cant seem to remember) was pushing it, while another (again, blank. anyone?) competed. Interestingly enough, technological development was put on stereo, and not on the first 3D system which was called "binaural recording" and it simply consisted of two microphones placed like the ears. You can try it this way: Go to a hat store and buy an extruded foam mannequin head. You'll then need two microphones. Condenser will do, but you will need to power them if you want to use them with the GUS, since it take a dynamic microphone because it does not supply phantom power like some mixer with XLR plugs. I will post a circuit later for Radio-shack condenser mike unit (a small element that cost about 2$) if there is some interest. If you dont want to mess with that, go with a cardiod dynamic element. Note that sensitive enough cardiod will cost you a lot, so think about that. You cut holes in the ears of the head, to insert the microphone units (dont forget to make the wires of the elements go inside the head and out the rear (or wherever). Use glue to fill the crack around the mic. Also, the more the ears look like real ears, the better it will work. If you trim the foam, dont forget to use an hairdryer to soften it (it will be more uniform). That's it. Try recording sounds, and you'll be surprised. I was! I did the experiment with a polystyrene head on which i incrusted two PZM microphones. Now that you understand how 3D recording is nothing like stereo recording, we'll see what is accesible presently. First, the gadget we just built in the previous section exist commercially, and is called "Mikey" and is made by Spherical Sound. It's the only system commercialised where the microphones are placed in a head. Another system is made by Virtual Audio and claims to enhance stereo depth, but is not labeled 3D audio. I dont have much more info on it, but from the description it looks like the same thing as the "mikey". Two other systems use less restraining microphones situation and can also be used on any signal because a DSP simulate a 3D signal from parameters entered on the machine. QSound (no hyphen) was developped in Quebec, and the inventor sold the concept to another company (Archer it seems). It is not that good even with electrostatic headphones, and is pretty bad if you are listening to it thru speakers and you are not in the sweet spot. And for trivia: Madonna, Sting, Wilson Phillips and Paula Abdul to name a few have used the QSound on their latest recordings. Another trivia: The Q logo is very very close to Hydro-Quebec logo... QSound cost around 18K$ and is not midi controllable. The other variant with a DSP is Roland RSS (Roland Sound Space). It is a bit better (depending on how it is used) than QSound with headphones, but suffers the same faith as QSound when you are listening with speakers. Just move a bit from the sweet spot, and suddenly what was in front left is now back left. RSS was used on Suzanne Cianni _Hotel Luna_ album. RSS cost around 40K$ and is midi controllable. Another system on which i have zero information is called Audio Cybernetics. The last technology is called Focal Point 3D Audio. It was developped by Bo Gehring and first used on the Macintosh computers with a modified Audiomedia (Digidesign). It cost around 1400$ in this configuration. But, Gravis saw that (Focal Point is from Seattle) and it is the system that we will be getting. At a much better price. The system produce the sounds with these parameters: direction, elevation and distance. I am pretty sure that Gravis will have to develop a SYSEX command set. We already need it badly, but with 3D, i will shoot myself if i cant control it thru sysex. By the way, here's how to get in touch with Focal Point 3D Audio, if you're interested. Focal Point(tm) 3D audio 1402 Pine av., #127 Niagara Falls, NY 14301 Voice/fax: 1-416-963-9188 Ok, you have read the 3D thing, and you cant wait. You want big sound. The only possibility for now is surround. Now surround cost a lot of money, and it will not be useable anymore once you get the 3D driver. Wrong. Now, i hope you have an amplifier, cause if you dont, you can't use this little hack to get surrounding sound. WARNING: i am not responsible for any damage resulting from the use or misuse or anything else related to this circuit. Check that your - posts are connected to ground and not the +. If it's the case reverse the connections to the amplifier. It works surprisingly well considering the cost. Have fun! | Amplifier | | + - - + | You connect the front speakers as usual (dont mixup /| | | |\ the polarities!) _ | |_| |_| | FLS: Front left speaker (/_\) | /_\ /_\ | FRS: Front right speaker | FLS FRS | R: variable pot 50 ohm. 10 watts or more (depends on |_ _| the amplifier) > | | < ><'R R'>< RLS: Rear left speaker (use a much smaller speaker > < for rear than front. 8 ohm also.) | RLS RRS | RRS: Rear right speaker (") | _ _ | | \_/ \_/ | the 2 - on front speakers are connected to the |_/ \_._/ \_| ground of the amplifier internally, so you dont + -|- + have to connect them. |_ > | ><'R > Here, you do need to connect the 2 - thru R to the _|_ amplifier ground. - AMP GND Put the 3 potentiometer in a box so that you have the control in one place, and use enough wire so you can move with it. You'll have to experiment so that the R going to ground is a little higher than the other 2 and once that adjusment made, the other two must be adjusted so that the rear speakers are just adding a touch of depth (if you turn them off, you notice that the surround is gone). Also, if you have A-B speaker selection, plug the rear speakers on the + of B instead of A, you will then be able to switch them off easily. Of course, when you will use the 3D audio, it will affect the signal, so it's better to unplug the rear section. But for your video, tape, CD and regular GUS, you will still find it cool. ---------------------------------------------------------------------- 14] What are *.PAT *.VOC *.WAV *.SND *.MOD *.669, and *.MID files, and how do I use them? Written by: Matthew E. Bernold <MEB117@PSUVM.PSU.EDU> These are all different types of sound files. *.PAT files are GUS instrument files, or PATCH files. These files are what your GUS uses to recreate the various instruments it is capable of playing. Your .PAT files should be in your /ULTRASND/MIDI and /ULTRASND/SBOS directories. *.VOC and *.WAV files are basic digital sound files with headers. The *.VOC files are used on the soundblaster, and the *.WAV files are used by Microsoft Windows. Players capable of using these formats can read information on sampling rate, 8 or 16 bit, and mono/stereo from the header of these files. *.WAV files can be played in MS Windows by many programs. *.VOC files can be converted to *.WAV by many different programs, including SOX which is available via FTP. The latest version (7.0) has been ported to PC clones and can be found on the GUS FTP sites. *.SND files are raw sound files with no header information. This is the format currently used by the GUS. This means that you have to tell the player program about the sample, because the information on how to play it is NOT in the file, like with the *.VOC or *.WAV files. You can play these files using PLAYFILE which came with the GUS. *.MOD files are 4-voice 15 or 31 instrument music files which originated on the Amiga. They use 8-bit, 16kHz samples to produce the instruments, and note information to play the songs. *.MOD files are similar to MIDI files, but they are a bit more flexible because you can use any sample as an instrument (including voices and sound effects) instead of relying on the MIDI synth's own built in instruments. You can play these files using GUSMOD which can be found on epas. *.669 files are 8-voice music files. I don't know much about them, so maybe Tran (author of the GUS 669 player) can fill in this area. You can play these files using P669GU0 which can be found on epas. *.MID files are MIDI files. You can play these files with PLAYMIDI that came with the Ultrasound package, or with MediaPlayer in MS Windows. You might have to create a *.cfg file for the MIDI file if it was originally created for a synth that does not conform to the GM Midi standard. ---------------------------------------------------------------------- 15] What exactly is Wavetable Synthesis? Written By: dionf@ERE.UMontreal.CA (Francois Dion) It is easier to find the Holy Grail than to find a text describing precisely what synthesis method the GUS uses, so it's time i take a shot at it. For this text i have searched thru ftp archives troughout the world, have asked info from Ensoniq, Roland, TurtleBeach, Advanced Gravis, Forte Creative Labs and i also took into account the numerous comments, praise and flames i received to model the text. Since this text is a result of a collective internet and industry wisdom, flames will go the way of /dev/nul. And please, read the text carefully, because i have received some comments from people who were thinking i wrote something when in fact i wrote the opposite (particularly from non anglophones). You probably have heard about the GUS beeing a wavetable soundcard. I have received some comments that the GUS is not such a thing, but since the industry uses this term (i.e. CL waveblaster, GUS, TB multisound etc...), i am not in a position to create confusion by renaming the technology. Wavetable explains perfectly what it is. A table containing a waveform. The GUS uses the third generation of wavetable synthesis, so before i start explaining it, i'll talk about the first two generations first. The first generation of wavetable synthesis was actually a _digitally_ controlled _analog_ oscillator(s) where parameters controlling the waveform were kept in memory. The curtis based synths and some others are directly derived from this concept. The second generation of wavetable synthesis uses a digital oscillator, with the waveform held in memory in it's basic form (one period usually). Parameters to alter the oscillator behaviour are also in memory. I use the general term "memory" instead of RAM, because in some case it's actually ROM, FlashROM, PROM, EPROM, switches, buffers etc... The Ensoniq chip found in the Macintosh Plus is an example (8 bit, 4 oscillators, 4096 byte wavetable). The third generation of wavetable synthesis which can be found in two flavors (RAM or ROM) is based on the second generation, but uses bigger wavetables to hold the waveform (either in single period or multi period format) including this time the attack and release. In this section, i will focus only on the GUS implementation, which basically encompass all other implementations. Basically, what you have are 32 oscillators which can do the exact same thing, and be programmed separately and/or simultaneously. What the hardware can do without the operating system is not too important here since we are looking at what the GUS _can_presently_do_ (with modifications to the OS, the GUS could do pretty much any synthesis method one can dream up), not what it would have done if the OS wasn't available. Of course, more processing done in hardware means more CPU cycles left for other things. So in the GUS, you have some RAM (up to 1Mb) that holds 1, 2, 3, etc, wavetables which consist of a sampled (or soft-synthesised) waveform, some parameters and optionally a sampled attack and release. The GF1 chip (an asic based on the Ensoniq DOC-II chip) will then playback a waveform when triggered based on some parameters it is given, and on others it will fetch from the wavetable. I dont know if all parameters can be fetched from RAM by the GF1, nor if the GF1 can fetch some instructions from RAM, but by using the current OS built in the windows drivers or in the DOS library, this is what the GUS _can_presently_use_ to synthesise music: - sampled or envelopped attack in 8/16 bit, signed/unsigned format * - sampled waveform (anything! a period, or a several seconds sample) * - sampled or envelopped release * with: - velocity (volume) * - panning (balance) * - precise frequency playback rates (with frequency based antialiasing and oversampling) * - mixing of all the channels * Up to here, it's sample playback. But there is more: - full vibrato (FM, depth, rate, sweep) - full tremolo (AM, depth, rate, sweep) - LFO (Low Frequency Oscillator) * - forward, reverse, dual direction looping or no looping * - the loop points can be anywhere (for sampled attack and release) * |-------|-------------|--------------| Start Start loop End loop End - 6 point envelope - tuning * - fractional endpoint * - combination of oscillators (up to 4 if the GF1 implementation is the same as Ensoniq) * - previous waveform usage * And more recently: - 3D (focal point 3D positioning) ( "*" indicates that the operation is done in hardware. Some others may be done in hardware but i have not done any tests or found any technical information to confirm it. I also base 1 item on the DOC II capability, which should be implemented in the GF1.) Also, reverb, flanger, phasing etc... could be easily implemente within the drivers. Presently it can be done with a little work on the patches and/or midi timestamp (i have succesfully made flanger and phasing). Another thing that could be implemented is dynamic patch loading since the card supports it (i have done it). You can even get a distorted sound (ideal for guitars, vox, analog synths) by simply changing the 2's complement flag (work best with soft-synthesised patches). Last, it is far better to have a RAM wavetable synth than a ROM one, since you can upload your samples. Even sound canvas owners (and other synths too) complain that their ROM based GS synth lacks interesting drum and bass sounds, cannot play sound effects, and is not usable for dance and techno. Also you can have more space for each samples, because you always have only the samples you need in memory, so you can have better sampling rates and better waveforms. ---------------------------------------------------------------------- 16] Is there a GUS device driver for Linux/BSD386/*IX? There is a group of people working on device drivers and C libraries for Linux, BSD386, 386bsd, Minix, SysVR3/386, and whatever other PC/UNIX flavors there are out there. I know there is at least a beta driver out for Linux. If anyone out there has more information on this, please mail it to me. I had some information from Hannu Solvanen (Forgive my spelling) but I lost it. If you're reading this, Hannu, please mail me that info on your driver again. ---------------------------------------------------------------------- 17] How do I get the GUS to work with OS/2? As of now, there is no OS/2 specific device driver for the GUS. According to Gravis, they are working directly with IBM to get OS/2 drivers for the GUS written. A specific release date has not been announced. There are a few simple tricks to get the GUS to work with OS/2 to a small degree right now: Written by: Thomas Wong <twong@civil.ubc.ca> As it is right now, what you'll have to do is use a 8 bit DMA channel in your setup of the GUS to make it work under a DOS window under OS/2. If you have already installed/setup your GUS card, just go into the c:\autoexec.bat file under OS/2 and manually change the number in the environment variable. So, for example, use DMA channel #1. By doing this, you can now use playmidi, 669 player, gusmod... a number of GUS programs. But you still can't run playfile or SBOS (it may crash). In other words, you can use a play a list of midi, 669, mod...etc files in a DOS window, but can't play games. Gravis did say they will come out with an OS/2 driver but no date is set. ---------------------------------------------------------------------- 18] How do I go about programming the GUS? Gravis and Forte have released a very detailed SDK for the GUS. It includes source code, libraries, documentation, etc., etc, and it's available on the FTP sites (see question #6). Also, there are two UltraDox files written by Phat Tran up for FTP as well. Read them carefully, learn to love them. (If you want to use the GUS with another OS besides MSDOS, read questions #21 and #23.) ---------------------------------------------------------------------- 19] What are the pinouts for the CD Audio IN on the GUS? Written by: <grtorlba@seattleu.edu> About two days ago I posted requested some info on the 4-pin CD audio pin on the GUS. I never got a reply but I got the info by downloading volume 1 of the digest. The pin info was: left ground ground right I've tried this pin assignment and it seems to work. The articles in the digest pointed out that they weren't certain of the left-right assignment but the two pins in the middle are definitely the grounds. ---------------------------------------------------------------------- 20] I'm having trouble with... GENERAL TROUBLESHOOTING TIPS Written by: john.smith@gravis.com (John Smith) It looks like a lot of the problems are incorrect installations. Make sure that you put ALL the correct files in the /ultrasnd/sbos directory and remove any old ones. Sbosdrv.exe, Loadsbos.exe and Sboslib.sbs MUST all be from the same release revision. They are NOT mixable. A lot of the problems you are seeing could happen if the wrong driver is used with the new loader and patch library. To make sure you are using the correct files, delete ALL files from /ultrasnd/sbos. Then unzip the new release into the sbos directory. Then COPY sbosdrv.exe up to the /ultrasnd directory. Then COPY loadsbos.exe up to the /ultrasnd directory also. Now pick either sboslo.bat or sboshi.bat up to /ultrasnd/sbos.bat. These two batch files assume you are using emm386. If you are using another memory manager (like qemm, 386max etc), use the appropriate command to load it into high memory. (NOTE: If you installed your software in some other directory, substitute it in place of /ultrasnd). ] Not all of the tips below apply to all programs. This is just a brief summary of some of the things we had to do to get some games running properly. 1) Make sure the BLASTER environment string tracks our ULTRASND string. Many games look at BLASTER to set up their stuff. SBOS needs ULTRASND. If they are not the same, the game will be looking one place and SBOS will using another. This is another reason NOT to have an SB and GUS in the same system. Presumably, the SB would want BLASTER set up for it and any game looking at it would not work with SBOS. BLASTER is set up like this: BLASTER=A220 I5 D1 T1 | | | | | | | - Type of SB (1 = regular SB) | | ----- DMA channel (MUST be 1) | -------- IRQ used. (same as GUS midi irq) ------------- I/O base address This variable is set up by the GUS setup program. It should never need to be modified unless you modify ULTRASND by hand. For example, wolf3d looks at BLASTER to get its parameters. Sound will NOT function if the IRQs are different, but it will detect an Adlib. 2) Make sure that SBOS is up and running BEFORE you install your game. Some games configure themselves during their installation procedure. If SBOS is not running, it will assume there is no sound board present. 3) Some games have a separate setup/configuration section. Make sure you run this after you install the game OR change the ULTRASND variable. They are usually called setup, install or config. Look around for it. Some games also save the last configuration to use the next time the game is run. This means that if it didn't detect the card (because SBOS wasn't loaded), it will save that info and will start up the NEXT time with sound disabled. You will have to manually turn sound back on somehow. See your games manual. For example, Wolf-3d will do this. 4) Some games need all available RAM to run. Since SBOS currently takes approximately 19K, it may not have enough to run. Some games will shut off some of the sounds if RAM is short. Check your manual. It may also be necessary to load SBOS high to reclaim some of the RAM. 5) If you have poor performance with SBOS loaded, see if you have an expanded memory manager running. (qemm, 386max, emm386 etc) There is a SEVERE performance penalty to be paid if you run with these. Its a byproduct of your machine running in protected mode. Usually, only games that use direct I/O (mod players for example) are seriously effected by this. If you must have SBOS loaded high, then you will have to live with this. It is possible to disable the virtual DMA if you are using qemm. (NOVDS) Doing so should speed things up a bit. Comments on above paragraph by mike@batpad.org (Mike Batchelor) ] ] This paragraph contains some errors, from where I sit. ] You may disagree, but I offer my perspective anyway: ] ] 1. Virtual 8086 mode entails no more than a 5% ] performance penalty over real mode. It does not matter which ] memory manager you use, the degradation is dependent on the ] CPU and the motherboard. In any case, the penalty is hardly ] what you might call SEVERE. ] ] 2. QEMM's NOVDS parameter has NOTHING to do with ] virtualization of the standard DMA channels. There is no ] switch to disable this feature of QEMM, DMA would not fuction ] in V86 mode if the memory manager does not virtualize it. ] They all do this, they all MUST do this. NOVDS tells QEMM not ] to support the Virtual DMA Specification, which has to do with ] virtualizing non-standard DMA used by bus-mastering adapters ] (usually SCSI host adapters, but can be network cards, etc.). ] The VDS spec is a means by which these non-standard DMA ] operations may be virtualized in V86 mode. QEMM normally ] virtualizes the DMA channels handled by the motherboard's DMA ] controller. So-called bus-mastering disk controllers do DMA ] on their own, without help from the DMA controller, so the ] normal way of virtualizing DMA will not work. VDS is the ] solution for this. Adding NOVDS to the QEMM line will disable ] support for ASPI4DOS.SYS, USPI24.SYS and other VDS-supporting ] SCSI host adapter drivers. This will prevent the user from ] loading anything into mapped memory in the first megabyte ] (High RAM) from the SCSI hard disk. ] ] The usual way to improve DMA performance is to ] increase QEMM's DMA buffer. The default on ISA systems is ] 12K, and 64K on MCA systems. It can be increased to 128K max. ] DMA=nnn specifies how large the length of a single DMA ] transfer can be, in nnn Kb. QEMM should prompt you to ] increase the DMA buffer if a program attempts to exceed the ] capacity of the current buffer. I have found that 64K is ] plenty for all programs I have used with the GUS. 6) It is possible for an application to detect the Adlib side of the GUS without SBOS being loaded. It depends on the method it uses to detect it. Obviously if that happens, the application will think it has an Adlib, but nothing is going to work. 7) Many games need to detect (and use) extended/expanded RAM before some sounds will be activated (usually digitized stuff) Refer to your manual for these kind of problems. An SB will not operate properly under these conditions either. For example, Falcon III will not play digitized sounds until EMS is set up properly. SBOS has nothing to do with this problem. 8) Some games hard code their I/O address and/or irq selections. Refer to your manual. You will have to make the GUS' selections match these. I believe some Sierra games do this. Wing Commander requires a base port of address of 220 for digital speech to work. 9) Unless you are POSITIVE that a particular game needs an option, (-o1 -o2 etc) DON'T specify one, 99% of the games do NOT need one. You may screw up the driver by specifying one that you don't need. You should unload and reload the driver before specifying an option. Since it is possible to use more than one option, you may be telling it conflicting things if you don't unload it. 10) There are several new features in SBOS that you should be aware of: a) SBOS reloads its patches before an application runs. This should eliminate having to reload it between running windows or a native GUS application (GUSMOD Star Con II, playmidi etc) and a game that uses SBOS. b) You can change the vector that it uses for communicating between sbosdrv.exe and loadsbos.exe. The option is -Cxx, where xx is the new software vector to use. This is specified to sbosdrv. Currently, only 1 application is known to need this. Netroom uses the default vector (7E) so sbosdrv thinks it is already loaded. If you are using netroom, you MUST change the vector #. Netroom is the only application that we know of that has this problem. There may be others. We don't know of ANY games that do. c) You can tell SBOS to leave line-in enabled by specifying a -L when SBOS is loaded. This can be useful if you want to monitor some other audio output source thru the GUS. 11) The volume up and down keys (defaults are [ and ]) do not work in all games. Any game that takes over the keyboard vectors will disable this feature. You must use the -V option when loading sbos to alter the volume for these games. This option works like this: -vxx where xx ranges from 0 to 31 (31 being max volume) Note: in SOME versions prior to 1.4B2, hitting the volume keys would hang your system. This has been fixed. 12) Some games grab all possible SB irqs (2,5 and 7) when they initialize to find what IRQ the SB is on. If they do this with SBOS and SBOS happens to have the UltraSound IRQ on one of the SB irqs, it will not let SBOS get its irq. Make sure that you set the UltraSound irq to one of the upper ones (11,12 or 15). Jill of the Jungle is an example of a game that exhibits this problem. 13) Now for some simple things to look for. a) Is board seated properly? b) Is DRAM in sockets correctly (bent pins etc)? c) Are stereo/speakers hooked up properly? d) Are you connected to the right outputs on GUS? (Some Ultrasound boxes are labeled wrong ...) TOP OF ULTRASOUND ================= Amplified Out Line Out Joystick/Midi 15 pin connector Microphone In Line In BOTTOM OF ULTRASOUND ==================== e) Do you have enough environment space for ULTRASND and BLASTER variables? f) Did you set the volume too low? g) Is \ultrasnd in your path? h) Could you have gotten a bad download of new SBOS? 14) Several people have complained about sbos loading VERY slowly. Is your joystick or MIDI plugged in? Try unplugging it. As of now, we haven't been able to reproduce this problem. It may be related to installing the software incorrectly or a DMA conflict. 15) If your joystick doesn't operate properly in a game, look for these things. a) Has it been calibrated (see manual) b) Do you have 2 games ports in your system? (GUS and another game port). If so, one MUST be disabled. c) DO you have a line like the following in your autoexec joycomp 20 where 20 is the compensation factor determined thru the calibration utility, ultrajoy. 16) There are several things people have noticed that seem to effect SBOS that need to be investigated. None of these have been verified, but you should be aware of them and you might try eliminating them as possible sources of your problem. a) Loading SBOS hi can cause some FM stuff to sound 'weird'. b) Using 'Stealth' mode on QEMM seems to have a detrimental effect. c) Change sbos.bat file to use loadhi instead of lh if using QEMM. d) Stacker seems to cause some people problems. It works OK for others. e) Order that TSR's are loaded may have an effect. Try loading SBOS first, last etc. f) When using XWing make sure that you have at least 896K of EMS (not XMS) and 563K of conventional. If you are having problems with slowdowns try turning off the music. 17) The only other thing we can think of is a hardware problem on your card. The diagnostics in the new setup program should be able to isolate it. Granted, we are a bit biased, but we believe that you should get SUPERB sound out of your GUS. If you are getting less than satisfactory results, there can only be a few explanations. a) in windows, make sure its in 'high fidelity' mode. b) Incorrect software installation. c) Incorrect hardware installation (IRQ,DMA etc) (probably) 4) Bad hardware.(PC or GUS) ---------------------------------------------------------------------- 21] I can't seem to fit the new disks onto a floppy. First of all, the files need to go on to a HD 3.5" disk. Next, some of the disks were zip'ed a second time to include a small README file (in other words, the .zip file you downloaded contains two files: a README file, and another .zip file). This would have been a good idea, except the .zip file got bigger; too big for a HD 3.5" disk. So, you'll need to unzip the file, read the README, and copy the new .zip file to a floppy. ---------------------------------------------------------------------- 22] Why shouldn't I use the comp.sys.ibm.pc.soundcard.GUS newgroup? c.s.i.p.s.GUS wasn't created legally; ie: there was no formal call for discussion, voting, etc., etc. As such, many sites refuse to carry the group. Posts there get to few readers. If anyone wants to take the time and energy to go through the steps needed to get a new group created the correct way, I'm sure all the GUSers would be more than happy to move there. (USENET tip for newbies: Don't create a new group for every new topic that comes along. Find the group that your topic fits best in, and use that. If you don't like all the other posts in the group, learn the magic incantations that go along with killfiles in your newsreader.) ---------------------------------------------------------------------- 23] What are "Miles Drivers", and how do I use them? Written by: Matthew E. Bernold <MEB117@PSUVM.PSU.EDU> Miles drivers (also known as MIDPAK/DIGIPAK) are a set of drivers that software companies to easily support many soundcards. The game is programmed to use these drivers, and then any soundcard with an appropriate driver will automatically be supported. The Miles drivers for the GUS can be found on the Epas archive site. The current version of these drivers is v.97beta (filename GUSAIL97.ZIP) There are three driver files and one TSR in the GUS Miles Drivers. The drivers are GF1MIDI.ADV, GF1DIGI.ADV, GF166.COM and the TSR is ULTRAMID.EXE In order to use these drivers, you need to copy them over existing sound drivers for another card. These drivers should have easily recognizable names like: (List taken from Monopoly Deluxe) SBDIG.ADV Sound Blaster Digital SBFM.ADV Sound Blaster FM Music SBPDIG.ADV Sound Blaster Pro Digital SBP1FM.ADV Sound Blaster Pro v1 Music SBP2FM.ADV Sound Blaster Pro v2 Music (OPL3) MT32MPU.ADV Roland MT32 Music PCSPKR.ADV PC Speaker driver The above names are typical, but they may change. To get the game to work, you should do the following (This example assumes that your Ultrasound directory is c:\ultrasnd and that your miles drivers are in c:\ultrasnd\miles and your game is in the directory c:\game): 1) Change into your Game's directory C:\>CD GAME NOTE: Any of the below steps MAY not be necessary, depending on what your application uses. If the app uses only Digital sound, and no MIDI music, for example, you will not have to do step 3. 2) Copy GF1DIGI.ADV over a Digital driver. I would suggest choosing the one that is most functional. Choose the SBPro driver over the SB one and you MIGHT get stereo (depending on what the game does) and choose the PAS-16 driver (if one is present) and you MIGHT get 16-bit sound if the game uses it. We'll choose the SBPro driver. C:\GAME>COPY C:\ULTRASND\MILES\GF1DIGI.ADV SBPDIG.ADV 3) Copy GF1MIDI.ADV over a Music driver. Here, I would suggest that you try different ones and see which sounds best. Sometimes the program plays a different version of the music depending on your card. For Terminator 2029, I found that the MT32 setting sounds better, but the SCC-1 setting sounds more like the movie music, even though it isn't as clear and nice sounding. For this example, we'll try the MT32 driver. C:\GAME>COPY C:\ULTRASND\MILES\GF1MIDI.ADV MT32MPU.ADV 4) Copy GF166.COM over the .COM file for the card you selected above. This should be fairly simple. If you chose 2 different cards as we did in this example, then copy the GF166.COM over the .COM file for BOTH cards (just to be safe) C:\GAME>COPY C:\ULTRASND\MILES\GF166.COM SBLASTER.COM (For this game [Monopoly Deluxe] there doesn't seem to be a .COM file for the Roland MT32, so I didn't copy over it here) 5) This step is MANDITORY. Run the game's SETUP utility and choose the cards you chose above. In this example, we chose SBPro for Digital, and MT32 for Music. If the SETUP utility does NOT allow you to choose two different cards, you must redo steps 2-4 patching only ONE card's drivers. Most programs now allow you to choose 2 cards, however. 6) Run ULTRAMID.EXE. This needs to be done before you run any games that use the Miles Drivers. There should be instructions on different command line options for ULTRAMID in the readme file that comes with the archive. Realize that ULTRAMID takes around 50k right now, so you may have to load it high to get enough conventional memory to run your game. That's it! Your game SHOULD now have full GUS support. If it doesn't, here are a few hints on how to possibly fix things: 1) Try copying the GUS's *.ADV drivers over ALL the *.ADV drivers in the game's directory. According to the README file, a good indication of what a driver is is that if the driver is <10k then it is a Digital driver, and should be replaced with GUSDIGI.ADV, if larger, then it is a MIDI driver, and should be replaced with GUSMIDI.ADV. The name should also give you a clue as to what to replace it with. a) MIDI drivers: MT32, SCC1, ADLIB (Usually), Anything with 'FM' like SBFM or SBP2FM b) Digital drivers: SBDIG, SBPDIG, PASDIG, PCSPKR. Usually these drivers will have 'DIG' in them, but not necessarily. 2) Try copying the GF166.COM file over ALL the .COM files in the directory. BE CAREFUL WHEN YOU DO THIS! Some games have .COM files other than the music drivers that should NOT be copied over. Most of the time, the .COM files you are looking for will be small, and will usually have a recognizable name, although this is not always the case. 3) Some games on the list in the readme file from the archive may use the Miles drivers, but NOT have *.ADV files anywhere. From what I understand, the Miles drivers will have the word "Miles" embedded in them somewhere near the beginning. Look through some of the smaller files in the directory with an editor and see if you can find the word "Miles" somewhere. Some games rename the Miles drivers to *.DRV. Good luck, and happy GUSing. ----------------------------------------------------------------------